The Render Network provides decentralized GPU compute services for next generation 3D rendering and decentralized AI/ML applications.
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SUBMERGE is now open at @artechouse DC.
14 immersive worlds in 18K resolution.
18 interactive installations.
Works from 17 artists.
Powered by @rendernetwork.
Get tickets: artechouse.com/program/subme…
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RT @fvckrender: art is literally life. been insanely busy, feels hard to catch up with everything, this @rendernetwork makes me so proud an…
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Last Saturday at @Mo_Plus_Design NYC, we showcased three works from SUBMERGE through VR:
- INFINITE FIELD// by @fvckrender
- WAI-000 by Team WAI @woosung__k, @ytok1030, @TaehoonPark9
- Quantum Stargate by @DavidAriew
See their work in 18K at SUBMERGE, now showing at @artechouse DC and powered by Render Network.
🎟️ - artechouse.com/location/dc/
This past weekend @Mo_Plus_Design NYC, @SpenserFX shared a few recent highlights from projects rendered on Render Network: a live concert, an independent film and an immersive show 🧵
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From immersive screens to the printed page, artists are using @rendernetwork across mediums.
After two years of development, @DecimalsRebuilt's TRILOGÍA GRAFICA is a graphic book bringing together storytelling, 3D modeling and digital painting, with Render supporting the 3D creation behind the project.
Now available for pre-order.
TRILOGIA GRAFICA is the first physical artifact from DECIMALS REBUILT and the beginning of the AS’UUM universe.
This is where it starts.
A4 hardcover art book + graphic novel
116 pages
Exclusive access to THE VAULT
Limited edition
October 2026. Pre-order now.
decimalsrebuilt.com/checkout…
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The Render Network retweeted
This goes for any/all serious 3D graphics creators out there...let @rendernetwork show you how fast you can iterate (we welcome "mistakes").
Can you send it off to @rendernetwork - we'll give you some credits 🤘
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The Render Network retweeted
Crypto payments are live on SaladCloud 💳
You can now buy credits with USDC, USDT or RENDER on Solana. Connect a wallet, pay, and the credits hit your account automatically.
No more manual payments, and no more "business days" spent waiting! See docs page in the replies.
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Great work by our friends at @MaxonVFX. OTOY.studio MCP connector will let C4D artists spawn complex multi-step render and scene tasks using C4D MCP, octane, redshift, 8DGS and many other integrated MCP services across 1000s of concurrent GPUs on @rendernetwork
🎥 See how an AI assistant can help with motion tracking in Cinema 4D.
Use MCP to camera track footage, recreate scene geometry and lighting, generate an HDR reflection environment, and integrate a 3D object into the shot.
See it in action 👇
🔗 maxonvfx.com/3TwaWKG
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The Render Network retweeted
5K res but it was quick because I used the Render Network. 30fps
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This past weekend @Mo_Plus_Design NYC, @SpenserFX shared a few recent highlights from projects rendered on Render Network: a live concert, an independent film and an immersive show 🧵
@SpenserFX is ready.
Catch him on stage in the next few minutes at @Mo_Plus_Design NYC, then stop by the Render Network booth and say hi.
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▪WHAT'S NEXT: Gaussian Splats.
Fustic used 4DGS to turn real-world capture into a 3D world for MCK's "OM=T" music video, directed by Trung Bao.
@SpenserFX took the same idea into CGI: 5,020 frames rendered with @Blender Cycles on RN in under 8 hours, then turned into a real-time 4DGS.
Read the Fustic spotlight: medium.com/@octanerender/150…
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The Render Network retweeted
calm or tense?
Rendered on the Render Network @rendernetwork
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The Render Network retweeted
GoFundMe launches TOMORROW!
I’ve added 2 extra interior WIP's to the video to give fans even more of the WOW factor
All-or-nothing—so shares in the first 1–3 days make a HUGE difference
Crowd in crowdfunding!
Huge thanks to @rendernetwork for support in making it happen
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The Render Network retweeted
In many cases, AI is removing a lot of friction for creators. You can take a concept from A-Z much faster, break through constraints that previously made ideas difficult to execute, and make certain kinds of creation accessible to a much wider audience.
It actually reminds me of when I first started using @rendernetwork it felt like a COMPLETE hack. I went from spending days rendering client work locally to rendering full animations in hours.
It didn’t make me want to create less. It gave me room to create MORE.
For artists and really everyone working across digital industries - the landscape is being reshaped insanely fast. As more constraints disappear, I think one of the biggest questions shifts from “can I make this?” to:
“What do I actually want to make?”
If you could create anything, what would you build?
AI has removed most of the technical barriers to creating. You can ship a working phone app or any digital content in a couple of days now.
The results online range from amazing to very sloppy.
But being able to build...
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Where @rendernetwork shines: massive large-format renders like 18K, with thousands of GPUs available at low cost.
On screen was an immersive adaptation of White Rabbit, the 2025 Emmy winner, created for SUBMERGE at @artechouse and rendered with @Blender Cycles.
(Clip: 3:45-4:05)
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